Michel Ocelot, Creator of Kirikou, at the Gbaka Animation Festival in Lomé
A Notable Presence at the Gbaka Animation International Festival
Michel Ocelot, the iconic director of Kirikou and the Witch , was in Lomé to participate in the International Gbaka Animation Festival (FIGA), an event dedicated to animated cinema that brought together a passionate and curious audience. This festival offered a rich program, with simultaneous screenings of animated films in various locations in Lomé, expert panels, and workshops to introduce young talents to the different aspects of animation.
The Success of Kirikou and the Challenge of Representing Africa on Screen
Released in 1998, Kirikou and the Witch has become an animated classic, inspired by an African tale. The film tells the adventures of Kirikou, a fearless young boy who defies the witch Karaba to free his village from her yoke. Michel Ocelot shared the challenges encountered during the creation of this film, evoking the reluctance of some producers about an African story. “I was told that Africa was not a seller. I had to fight for two years, and I was right,” he recalled, emphasizing his perseverance in the face of obstacles.
Encouragement to Young Togolese Creators
As guest of honor, Michel Ocelot took advantage of FIGA to encourage young Togolese talents to pursue their ambitions in the field of animation, despite the challenges. Local creators face many difficulties, including power cuts that slow down their work, as highlighted by Mensah Tony Kpégba, a young animator.
Financing and Talent Migration: A Challenge for the Sector
Lack of funding is another major obstacle for young animators, many of whom are forced to migrate to other countries to find opportunities, weakening the Togolese animation sector. Daniel Atchali, FIGA organizer, explains: “Young talents leave because we don’t have enough support to offer them a future here. With resources, the potential is enormous.”
Conclusion: A Promising Future for Togolese Animation
Despite these challenges, the festival highlighted Togo’s creative potential in the field of animation. With increased financial support and better structuring of the sector, the country could position itself as a major player in animation in Africa.
